The Appropriate Lighting Design for Modeling Site of Round Relief Sculpture
Main Article Content
Abstract
This research aims to study appropriate physical lighting conditions for sculpting workspaces of sculptures in the round. The findings are intended to improve teaching and learning in the Sculpture Program at Poh-Chang Academy of Arts, Rajamangala University of Technology Rattanakosin, and to disseminate knowledge to individuals and organizations interested in sculpture. Data were collected using photographs and questionnaires, including information on the background and experience of sculpture experts, as well as their opinions regarding appropriate lighting conditions for sculpting. The informants consisted of experts, teachers, and independent artists in the field of sculpture. The results revealed that most informants shared similar opinions, indicating that sculptures in the round requires appropriate lighting to achieve accurate dimension, visual perception, and complete sculptural value. Proper lighting must follow certain principles, including the direction of natural light, the direction of artificial light, and the integration of both lighting sources. In addition, personal techniques developed by experts with more than 20 years of experience were also identified. All data were collected through interviews and field observations, and the findings provide practical knowledge for improving sculpting workspaces and studio environments.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The content within the published articles, including images and tables, is copyrighted by Rajamangala University of Technology Rattanakosin. Any use of the article's content, text, ideas, images, or tables for commercial purposes in various formats requires permission from the journal's editorial board.
Rajamangala University of Technology Rattanakosin permits the use and dissemination of article files under the condition that proper attribution to the journal is provided and the content is not used for commercial purposes.
The opinions and views expressed in the articles are solely those of the respective authors and are not associated with Rajamangala University of Technology Rattanakosin or other faculty members in the university. The authors bear full responsibility for the content of their articles, including any errors, and are responsible for the content and editorial review. The editorial board is not responsible for the content or views expressed in the articles.
References
คมสัน คำสิงหา. (2550). ประติมากรรมคนเหมือน. วาดศิลป์.
ชัยชาญ จันทศรี. (2552). ประติมากรรม. วาดศิลป์.
นันทวัลย์ ตั้งพรประเสริฐ. (2552). ทฤษฎีประติมากรรม. อมรินทร์พริ้นติ้ง.
พิทักษ์ สง่า. (2561). ตรรกะศิลปะ. ภาควิชาประยุกตศิลปศึกษา.
พูลสวัสดิ์ มุมบ้านเช่า. (2553). ประติมากรรม. สุวีริยาสาส์น.
วิเชียร อินทรกระทึก. (2539). ประติมากรรม. อักษราพิพัฒน์.