COMPETENCY SKILLS FOR JAKHAY SOLO
Article Sidebar
Main Article Content
Abstract
This article aims to transfer the knowledge of Competency Skills for Jakhay Solo from researching treatise and interviewing the expert who can provide the information about competency skill of Jakhay Solo. The research found that the essential element of Competency Skills for Jakhay Solo consisted of professional competence that the performer should have which are knowledge, skill, ability to perform the show successfully, and the positive attitude to the assignment. The competency of musical profession can be able to perform variously. The determination by qualified expert can help to specify the knowledge, skills and attitude for each competent performer. For example, musician must have core competency for musical instrument performance. Musical instrument performance is a core competency that Thai Musical Profession must have knowledge, ability, and good skill of performance. The Performance of string musical instrument which the author shall mention in this article is Jakhay which is Thai String Musical Instrument which is widely popular nowadays. Jakhay is string instrument which has three stretching string, plucking the string with finger to make sound. In the old day, the string instrument has 1 or 2 strings only. Recently Jakhay was developed to have many strings with fret in order to make difference of various sounds. The role of Jakhay instrument is not only for ensemble but also for solo. To perform Jakhay Solo, the performer must have accuracy of core melody; play correctly according to the composer’s original melody. The qualification of Jakhay Solo Performer must be well- practiced, able to study history, element, method, technique of Solo. The performer must precisely remember the melody and overlay rhythm, pay attention to the details of song and also repeat practicing regularly in order to keep proficiency and provide the audience a sense of exquisitority of Solo. The performer should be able to solve problem immediately while performing as well. From the above mention about the competency of Jakhay Solo, the performer must not only have high proficiency of music performance but also perform the song correctly in accordance with Thai Musical Principal in order to achieve the objectives of the composer.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Each publish articles were copyright by Phranakorn Rajabhat University
Any contents which appeared in each articles in the journal were authors personal opinion. It did not relate to Phranakorn Rajabhat University and other instructors in the university. Each authors would take responsibility on their articles. If there are any mistake, the authors will take responsibility themselves
References
Limpachai, S. (2020). Primary Khim Solo. ( 2nd ed.). Bangkok: Sahathammic Co., Ltd. Printing
Pornprasit, K. (1996). A Study of Kru Lamiad Jittasewee ‘S Jakhay Solo. Thai Music, Master of Fine and Applied Art Thesis, Faculty of Fine and Applied Arts, Chulalongkorn University.
Royal Academy. (1997). Encyclopedia of Thai Music Terms on Vocal Session Royal Academy edition. Bangkok. Mahachulalongkornrajavidyalaya Press.
Silapabanleng, C., Khun Ying & Jindawat., L. (1978). Study of Thai Music, Bangkok : Aksorncharoentat Printing
Sornyai, P. (2004). Mon‘s Accent Jakhay Solo, Bachelor of Arts Thesis, Srinakharinwirot University
Sripayak, R. (2005). Competency Limit: Human Resources Management. Journal of Dhamrongrajanupap. 5(15), 65-81
Suttajit, N. (1996). Musical Activity for Teacher, Bangkok: Chulalongkorn University Printing.
Tiewtakul, W. (2003). Preparation of Core Competency of Work, Administrative Court, Bangkok, Kasetsart University Printing.
Thamwiharn, S. (1997). Thai Music, Bangkok: Chulalongkorn University Printing.
Thassanakulwong, T. (2016). Research Report of the Strategies for Jakhay Sound Quality Improvement from the masters who inherited the technique of the performance from the ancient master, Bangkok Bansomdejchaopraya Rajabhat University.
Tramote, M. (1938). Lecture of Thai Music Bangkok: Chuanpim Printing.
Tramote, M. & Kulthan., W. (1980). Listening and Understanding Thai Music, Bangkok: Thai Khaseam Printing.
Tramote, M. (1984). Som Song Seang: Montree’s Life of Music, Bangkok: Ruenkaew Printing Publisher.
Tramote, M. (1995). Dontrithai, Bangkok: Thai Wattanapanich Printing.
Wanitchthanom, R. (2005). Adaption of Competency in Human Resources Management. Seminar documentaries in the topic of the competency of Thai government officer. Office of Civil Service Commission.