Analysis of Visual Art of Rirkrit Tiravanija, Sutee Kunavichayanont and Sakarin Krue-on under Relational Aesthetic Context.

Abstract

The objective of this article is to study Nicolas Bourriaud's Relational Aesthetic concept leading to the analysis of visual arts case studies of Rirkrit Tiravanija, Sutee Kunavichayanont and Sakarin Krue-on, and to create contemporary visual arts knowledge through educational methods. From relevant documents, research articles, art works and interviews. To lead to analysis and synthesis.

The researcher found that the work of the three Thai artists has four factors: (1) “Coverage”, which is the creation of boundaries in the concept of action and activities that take place in the artistic space (2) “Participation” is the key. (3) “Realm” refers to the physical features of an art practice space that may be an enclosed space with clear boundaries. Or is it an open area or public area the artist has to study and plan the manipulations roughly before the actual situation and (4) “Traces & evidence” referring to the methods of recording and storing information of the various forms of that artistic phenomenon. Each artist needs to design and organize in relation to concepts and practices in order to meet the goals of delivering the aesthetic experience.