The Roles of Khaek Danceg in Likae Pa Performance

Abstract

The purpose of this research was to study the dance choreography. including comparative analysis Khaek Daeng's role identity in Li Ke Pa performance By specifying the scope of research on the eastern seaboard, Denchai Faculty, Sanguan Silpa, Phatthalung Province and the west coast Waraporn Faculty Raksa Sin Dance, Trang Province

          The study found that The choreography of the Khaek Daeng dance of both troupes is divided into 3 stages, namely 1 the Kaek Khaek, 2 the Kaek Daeng, flirtatiously and 3 the Kaek Kaew leave the barn. The red bow is a traditional performance before the show begins. The red guest will pay homage to the teacher by lighting a candle and carrying it out while dancing. It is believed that Wai Khru will make the performance run smoothly without any obstacles. The choreography of the two groups of Khaek Daeng dances is different as follows: The Khaek Daeng Dance of Denchai Sa-nguan Silp, Phatthalung Province The red guest will use the 3-hole grilling posture, emphasizing on leaning the body. As for the Sit Waraporn, Rammana Raksa Silp, Trang Province, they emphasize the use of the body, hands and singing, and use dance moves in a circle to summon Nang Yayee to come out. Dang Khaek's dance move Denchai Sanguansilpa Faculty, Phatthalung Province Will flirt with both of them during the song and take turns talking. Dance, jump, kick your feet high to express your joy. The Sit Waraporn Faculty, Rammana Raksa Silp, Trang Province, there will be a flirtation in which the Red Khaek will run around behind her back, alternating to the left and right of Mrs. Yayee. Singing alternate dialogues and using two-handed swaying dance moves. As for the choreography of Khaek La Rong of the Denchai Group, Sanguan Silp, Phatthalung Province, they will use a wai called "Khaek Wai" to indicate that the performance has ended. For the Sit Waraporn, Rammana, Raksa Silp, Trang Province, the dance of the guests will hold a candle to pay respect to the teacher before going behind the curtain. The identity of Khaek Daeng in the Li Ke Pa performance The song is sung using the southern dialect, dressed in Thai-Muslim folk costumes. The important thing that shows the distinctive identity of the Khaek Daeng dance is the dance by leaning the body and the rhythm of jumping, lifting the feet or kicking the feet high. energetic dance In addition, it was found that at present, Likay Pa performances have adapted to society. The performance style is simple, according to the villagers, and also reflects the culture and way of life of the people of the eastern seaboard and the western seaboard in the south as well.