Transmission Processes in Sow-Au Playing Method in Khun Chang Khun Phaen Section Phra Wai Taek Tup Theatrical Performance

Abstract

The objectives of this research were: 1. to study the performance of the fiddle in the drama performance; Section Phra Wai Taek Tup This research used a qualitative research methodology. Data collection from documents, interviews, and data analysis created an inductive conclusion and presented it as an essay.

          The results indicate that the importance of playing the Saw-Au in theatrical performances is 1. making the accompaniment sound smoother, 2. helping the singers to have a more precise voice, and 3. conveying emotions through the characters. The transfer principle is based on the learners' ability, teaching in the ancient style, emphasizing practical skills. The transfer process is divided into 1. singing It is used for storytelling, divided into 6 steps, namely, studying the drama, following the song, the technique of playing the fiddle, the pitch, the melody, and the accompaniment to the singing. 2. Songs without singing. It is used for composing gestures, divided into 6 steps: studying the Na Phat song, following the song, the technique of fiddle hue, the pitch, altering the melody, and the Na Thab rhythm. 2) Songs without vocals Used for composing gestures, divided into 6 steps, namely, studying the Na Phat song, following the song, the technique of fiddle hue, the pitch, altering the melody, and the Na Phat rhythm. the use of essential tactics for playing the fiddle and broadcasting according to the teacher's guidelines College of Dramatic Arts received from many teachers by analyzing, synthesizing until crystallizing into a systematic and efficient transmission of performances.