Chinese Gragon Procession During the Qing Dynasty

Abstract

The traditional dragon patterns that have emerged in China reflect the unique aesthetic sensibilities and value systems cultivated by the Chinese people over thousands of years. As a significant cultural heritage, these patterns are intricately intertwined with the history of Chinese cultural development. The evolution of dragon motifs in China, representing the spirit of the Chinese nation, has undergone a lengthy and intricate process, gradually shaping the patterns we observe today.

This study, in accordance with the evolving patterns of Chinese dragon motifs during ancient dynastic eras, reveals that the characteristics of dragon patterns on Chinese porcelain during the Qing Dynasty were indicative of the prosperity of Chinese civilization. These characteristics were influenced by a variety of factors, including color schemes, artistic techniques, and the influence of Western nations. During the reign of Emperor Kangxi, dragon motifs were known for their simplicity, elegance, and regal appearance. They featured a color palette known as Famille rose, which was grounded in the traditional Chinese five-color concept comprising black, white, red, yellow, and blue. In the Yongzheng era, dragon motifs exhibited strength, vitality, and vivacity. The color palette used was soft and pastel in nature, creating a rich and layered visual effect. The dragon patterns of the Qianlong era extended this period of prosperity, featuring even more intricate details, particularly in the portrayal of the dragon's head. Realism was emphasized, and Western oil painting techniques were incorporated to enhance the richness of colors and overall aesthetic appeal. Notably, complementary colors were employed to create attention-grabbing yet balanced patterns.