Innovation creativity development and design of Nang Yai patterns for processing products of ladies le ather bags Singburi Province.

Authors

  • Tammarat Boonsuk Faculty of fine and applied arts, Rajamangala University of Technology Thanyaburi

Keywords:

Creative Innovation, The Design of Nang Yai patterns, The making of Women's Leather Bag Products

Abstract

The creation of this work of art aims to achieve the following objectives:
1) To study patterns, colors, and techniques used in the making of Nang Yai. 2) To explore techniques for creating Nang Yai patterns on leather sheets. 3) To design Nang Yai patterns for women's leather bags. 4) To create prototypes for women's leather bags.

The process of creating as well as studying pattern and colors of Nang Yai at the Nang Yai Museum of Wat Sawang Arom, Singburi Province starts with exploring techniques for creating Nang Yai patterns on cowhide and coloring techniques. This is done by studying the carving technique, exploring Nang Yai patterns, and creating designs for women's leather bags with Nang Yai. A total of 10 sets were produced. Then expert designer will help to analyze and select 1 set to be used as prototypes. To createprototypes, there will be a study of shapes and the assembly process for making women's leather bags. A set of prototype products of Nang Yai leather bags for women consists of 3 pieces: 1 Clutch, 1 Saddle Bag, and 1 Duffel Bag with handles and shoulder straps.

The result of the creation process reveals that the design of Nang Yai patterns for women's leather bags is practical and suitable. To present a beautiful pattern derived from intricate leather carving, the creator has incorporated the key elements of the carved pattern, colors, and surface textures. Those factors are rearranged to create a unique composition that is beautiful and practical in everyday use. The design focuses on studying the shapes of women's leather bags that are currently popular. Durable materials are being used. This offers an alternative to customers who appreciate product novelty, value the intricate patterns of Thai art and also enjoy its functionality. In the making of prototype products for women's leather bags, it was found that the overall customer satisfaction towards the prototype of the women's clutch bags is high (ð‘ĨĖ… = 4.08). The prototype of the saddle bag for women's bags also received a high overall satisfaction level (ð‘ĨĖ…= 4.10), while the prototype of the large-sized duffel bag with handles and shoulder straps for women's bags also obtained a high overall satisfaction level (ð‘ĨĖ…= 4.14). The leather bags that are made by incorporating Nang Yai Pattern are beautiful and functional. The designs and shapes are modern. The products are suitable and practical for daily life as they combine beauty, value, and functionality.

References

āļāļ™āļāļ§āļĢāļĢāļ“ āļŠāļļāļ§āļĢāļĢāļ“āļ§āļąāļ’āļ™āļē. (2527). āļŦāļ™āļąāļ‡āđƒāļŦāļāđˆāļ§āļąāļ”āļ‚āļ™āļ­āļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļĢāļēāļŠāļšāļļāļĢāļĩ. āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĻāļīāļĨāļ›āļēāļāļĢ.

āļ›āļĢāļ°āļ—āļļāļĄ āļŠāļļāđˆāļĄāđ€āļžāđ‡āļ‡āļžāļąāļ™āļ˜āļļāđŒ. (2521). āļŦāļ™āļąāļ‡āđƒāļŦāļāđˆāļ‚āļ­āļ‡āđ„āļ—āļĒ. āļĻāļīāļĨāļ›āļēāļāļĢ.

āļ›āļēāļ™āļ‰āļąāļ•āļ—āđŒ āļ­āļīāļ™āļ—āļĢāđŒāļ„āļ‡. (2560). āļāļēāļĢāļ›āļĢāļ°āļĒāļļāļāļ•āđŒāđƒāļŠāđ‰āļœāđ‰āļēāļ—āļ­āļˆāļąāļ™āđ€āļŠāļ™āļĢāđˆāļ§āļĄāļāļąāļšāļ‡āļēāļ™āļˆāļąāļāļŠāļēāļ™āđ€āļžāļ·āđˆāļ­āļžāļąāļ’āļ™āļēāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļŠāļļāļĄāļŠāļ™āđ€āļŠāļīāļ‡āļžāļēāļ“āļīāļŠāļĒāđŒ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āļ„āļĢāļŠāļ§āļĢāļĢāļ„āđŒ. āļāļĢāļĄāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļāļĢāļ°āļ—āļĢāļ§āļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ.

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āļŠāļļāļ—āļ˜āļīāļ”āļē āđ€āļ­āļāļ§āļ™āļīāļŠāļŠāļē. (2563). āļāļēāļĢāļ§āļīāļˆāļąāļĒāđāļĨāļ°āļžāļąāļ’āļ™āļēāļĢāļđāļ›āđāļšāļšāļāļĢāļ°āđ€āļ›āđ‹āļēāļŦāļ™āļąāļ‡āļŠāļēāļ™āļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ­āļąāļ•āļĨāļąāļāļĐāļ“āđŒāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ—āļĒ. [āļ§āļīāļ—āļĒāļēāļ™āļīāļžāļ™āļ˜āđŒ āļ›āļĢāļīāļāļāļēāļĄāļŦāļēāļšāļąāļ“āļ‘āļīāļ•]. āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĻāļĢāļĩāļ™āļ„āļĢāļīāļ™āļ—āļĢāļ§āļīāđ‚āļĢāļ’.

āļ­āļ āļīāļāļāļē āđ€āļŸāļ·āđˆāļ­āļ‡āļŸāļđāļŠāļāļļāļĨ. (2541). āļ­āļąāļ•āļĨāļąāļāļĐāļ“āđŒ. āļŠāļģāļ™āļąāļāļ‡āļēāļ™āļ„āļ“āļ°āļāļĢāļĢāļĄāļāļēāļĢāļ§āļīāļˆāļąāļĒāđāļŦāđˆāļ‡āļŠāļēāļ•āļī.

āļ­āļļāļ”āļĄāļĻāļąāļāļ”āļīāđŒ āļŠāļēāļĢāļīāļšāļļāļ•āļĢ. (2550). āļ­āļ­āļāđāļšāļšāđ€āļŸāļ­āļĢāđŒāļ™āļīāđ€āļˆāļ­āļĢāđŒ. āđ‚āļ­āđ€āļ”āļĩāļĒāļ™āļŠāđ‚āļ•āļĢāđŒ.

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Published

2023-12-28

How to Cite

Boonsuk, T. . (2023). Innovation creativity development and design of Nang Yai patterns for processing products of ladies le ather bags Singburi Province. Journal of fine arts research and applied arts, 10(2), 97–113. retrieved from https://so05.tci-thaijo.org/index.php/arts/article/view/269965

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Section

Research Articles