Reflections of Symbolism in Dramatics of Painting

Abstract

The creation of artworks under the research of the Reflections of Symbolism in Dramatics of Painting, a research development that represents a realism idealistic in Theravada Buddhism. A scientific concept of Husserl, E. G. A. for studying and interpreting issues and the life perspective. It is explained through attitudes and specific experiences to approach the essential meaning of occurrences to audiences. Moreover, it is also for the sake of leading audiences to explore the meanings through the painterly language and the passionate method in paintings, which deeply develops expertise in the thought processes, leading the painter to gain new creative painterly knowledge. It can be acknowledged by organizing techniques and managing contexts. Combining objective and subjective causes an imaginative visual of that state. In addition, It is made up for studying and interpreting vital problems differently depending on a person and even plays an essential role in encouraging the common sense of spectators. In conclusion, they are revealed by cultural conservative symbols and symbols of modern humanism. They have conveyed visual paintings that are a reflection of amusement themselves. So, each painting piece presents the meaning of providing new experiences for watchers to impressively revise their past image critically.