Creation of Sculptures Development to National Art
DOI:
https://doi.org/10.60101/faraa.2024.270094Keywords:
Relationship, Hybridity, National Art, Stone SculptureAbstract
The National Art Exhibition is a national competition stage with the longest history in Thailand. It was initiated by Professor Silpa Bhirasri and was first held in 1949 with the objective of Develop the Thai contemporary art scene to be accepted and on par with international standards as a support.and provide opportunities for Thai artists to express their potential in creating works of art in various fields, including disseminating knowledge to the wider public as well as being an inspiration to new generations of artistsThis
creative research work The purpose is to create marble sculptures. Developed into a national creative arts event Study methods for developing the shape of sculpture. that conveys the meaning of expressing feelings and imagination By relying on inspiration and impression from the shape that has a free form, consisting of the origin, content, context of the elements of art, beauty, individuality of unity.Therefore, it was used as a framework for researching sculpture shapes according to the attitude and imagination of visual art principles. that can convey meaning about relationships There is a transmission of feelings and thoughts. various relationships through marble carving Unravel and develop the shape with changes in artistic elements, volume, form and size. By increasing and decreasing the size of the shape according to the principles of beauty and artistic theory. To convey the meaning of the change of objects caused by the shape of the sculpture.
References
กิตติพันธุ์ ชินวรรณโชติ. (2566). การสร้างสรรค์ผลงานประติมากรรมหิน พัฒนาสู่ศิลปกรรมแห่งชาติ. การแสดงศิลปกรรมแห่งชาติครั้งที่ 68.
อารี สุทธิพันธุ์. (2532). มนุษย์กับจินตนาการ. กรุงเทพฯ: แสงศิลป์การพิมพ์.
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