Forms and Elements of Characters’ transformation and disguise in Thai classical dance

Abstract

This qualitative study investigates Thai classical dance drama, focusing on dance, character imitation methods, and characteristics. The objective is to examine character impersonation as an artistic form. Data were analyzed using qualitative research methods. To categorize the data, the researcher employs typological analysis and analytic induction to find linkages. After that, we constantly compare the data to other events. Next, we correlate each set of data and identify common qualities to derive study results. To demonstrate data assessment methods, the study compares field data events. The data's objectives and challenges determine our classification. Analytical explanations convey knowledge well.

The research shows that Thai dance's concealing approach, which involves changing characters, enhances a performance's depth and appeal. Engaging the audience means creating excitement and interest in the story. Understanding the show's plot and content helps viewers relate to the characters. This allows for increased complexity and diversity in content. The performance deepens the plot and embodies Thai culture and traditions. This makes dance performances significant in literature, art, philosophy, history, language, religion, and cultural studies. Thai dance and performance arts encourage performers and artists to be creative. The show's format should showcase diversity and captivating elements. Thai dance and performing arts require everyone to imitate and transform into different personas. Structure and components are vital to creating fascination and originality in the performance. It also continues Thai dramatic art's evolution. It explores Thai traditional dance repertoire, focusing on aesthetics. The user says royal Thai classical dancing stresses reality.