Creating Performing Arts Based on Swan Local Arts, Auspicious Animals according to Chinese Symbol Beliefs in Phuket

Main Article Content

Wikrom Krungkaeo

Abstract

This study intended to explore the swan painting in Thai – Chinese belief of auspicious animals through the literature review, interviews, and observations; presented as descriptive analysis result. According to Chinese beliefs, swan represents justice and womanhood. The swan’s head looks like that of a pheasant, its mouth is like that of a parrot, its body is similar to that of a Mandarin duck, its tail is like that of a peacock, and its legs are similar to those of a stork. There are 9 postures of the swan found in the paintings which are walking, standing, leg starching, flying, wing spreading, looking back, courting, and perking. It has favorable colors of white, red, yellow, green, and dark blue from head to tail. The result was used to create an 8 - minute from of contemporary performing arts performed by 8 dancers; featuring the combination of Chinese music and Thai performing dance, and they are presened in 4 parts: 1) Divine Heaven; 2) Pleasing Swans; 3) Postures of Chinese Woman, and 4) The Chinese swan queen. This study’s results can be the models for the choreographers to create new performances.

Article Details

How to Cite
Krungkaeo, W. . (2022). Creating Performing Arts Based on Swan Local Arts, Auspicious Animals according to Chinese Symbol Beliefs in Phuket. Parichart Journal, 35(2), 165–184. https://doi.org/10.55164/pactj.v35i2.250106
Section
Research Articles
Author Biography

Wikrom Krungkaeo, Faculty of Humanities and Social Sciences, Phuket Rajabhat University

สาขาวิชาศิลปะการจัดการแสดง คณะมนุษยศาสตร์และสังคมศาสตร์ มหาวิทยาลัยราชภัฏภูเก็ต

References

Hongsuwan, S. (2000). Himavanta animals. Bangkok: Mit Sampan Graphic.

Virunrak, S. (2010). Burmese Dance. Bangkok: Chulalongkon University.

Saotong, C. (2005). Cambodian Dance. Arts and Culture Journal, 26(7), 40-43.

Pattarajinda, S., Wannali, C., & Ruangrong, A. (2019). The process of creating Ging Ga La dance patterns. Liberal Arts Journal Ubon Ratchathani University, 15(1), 201-223.

Sansai, P. (2003). Creating performance. Kalasin: Solder printing.

Chitwarin, C. (Interviewee), Krungkaeo, W. (Interviewer), Address: No. 4020, Lai Thi Tao Bo Keng Shrine, Wichit Songkram Road, Kathu Sub – district, Kathu District, Phuket Province. November 1, 2021.

Ewthamthikorn, K. (Interviewee), Krungkaeo, W. (Interviewer), Address: No. 289, Pud Jor Shrine, Talad Nua Sub - district, Muang Phuket District, Phuket Province. November 1, 2021.

Royal Academy. (1982). 2525 Thai dictionary. Bangkok: Aksorn Charoenthat.

Virunrak, S. (2000). Introduction to performing arts. Bangkok: Chulalongkon University.