Early Cinema, Fandom and Global Modernity in the 2460s Siam

Main Article Content

Jirawat Saengthong
Davisakd Puaksom

Abstract

During the 2460s, Siam witnessed regular screenings of the world's early films at cinemas, particularly in Bangkok. The introduction of local film magazines was a significant indicator of the growth of the film exhibition business and the popularity of cinema-going among Siamese audiences. This article examines film periodicals from that period as historical evidence documenting the Siamese response to the world’s early cinema. By seeing films as the product of modernity and investigating the film fan culture portrayed in these film magazines, it is argued that Siam enthusiastically embraced modernity. There was also a tendency of blending global modernity into the cultural context of Siam, as well as the possibility of moviegoers to encounter the spectacular outside world. This practice would potentially contribute to the cultural vitality in which the Siamese commoners play a significant role.

Article Details

How to Cite
Saengthong, J., & Puaksom, D. (2023). Early Cinema, Fandom and Global Modernity in the 2460s Siam. Parichart Journal, 36(3), 1–19. https://doi.org/10.55164/pactj.v36i3.263550
Section
Research Articles

References

Gunning, T. (2006). “The whole world within reach”: Travel images without borders. In J. Ruoff (Ed.). Virtual voyages: Cinema and travel. (pp. 25-41). Duke University Press.

Gunning, T. (2008). Early cinema as global cinema: The encyclopedic ambition. In R. Abel, G. Bertellini and R. King (Eds.). Early cinema and the “national”. (pp. 11-16). Indiana University Press.

Solomon, M. (2016). Negotiating the bounds of transnational cinema with Georges Méliès, 1896–1908. Early Popular Visual Culture, 14(2), 155-167.

Cohen, M. I. (2006). The komedie stamboel: Popular theater in colonial Indonesia, 1891-1903. Ohio University Press.

Tofighian, N. (2013). Blurring the colonial binary: Turn-of-the-century transnational entertainment in Southeast Asia. Stockholm University.

Ruppin, D. (2015). The komedi bioscoop: The emergence of movie-going in colonial Indonesia, 1896-1914 [Unpublished doctoral dissertation]. Utrecht University].

Ruppin, D. and Tofighian, N. (2016). Moving pictures across colonial boundaries: The multiple nationalities of the American Biograph in Southeast Asia. Early Popular Visual Culture, 14(2), 188-207.

Sukvong, D. (2012). Cinema of Siam. Thai Film Archive (Public Organization). (In Thai)

Ouyyanont, P. (1999). Physical and economic change in Bangkok, 1851-1925. Southeast Asian Studies, 36(4), 437-474.

Abel, R. (1993). In the belly of the beast: The early years of Pathé-Frères. Film History, 5(4), 363-385.

Advertisement: Really fun, more fun than ever before. (1910, December 23). Chino Siamese Daily News. (In Thai)

Phathanakorn Cinematograph Company. (1913, August 13). Krungthep Daily Mail. (In Thai)

Phathanalai Cinema, Sam Yot. (1917, April 11). Krungthep Daily Mail. (In Thai)

Baker, C. and Phongpaichit, P. (2005). A history of Thailand. Cambridge University Press.

Skinner, G. W. (1986). Chinese society in Thailand: An analytical history. (Translated by Phanni Chatphonrak, et al.). The Foundation for the Promotion of Social Sciences and Humanities Texbooks Projects. (In Thai)

Ichiro, K. (2005). Laying the tracks: The Thai economy and its Railways, 1885-1935. Kyoto University Press.

Unalome Chanrungmaneekul. (2018). 120 years of Thai film business in the context of Thai economic and social history. Thailand's Economic and Social Changes in Historical Perspective Research Project. (In Thai)

New day, new program at Phathanalai Cinema. (1915, September 18). Krungthep Daily Mail. (In Thai)

Advertisement: Phathanarom Cinema. (1916, April 3). The Siam Observer, 7.

Advertisement: The Sathorn Picture Palace. (1918, June 1). The Siam Observer, 5.

The Siam Cinema Company. (1922, May 15). Krungthep Daily Mail. (In Thai)

Phathanakorn Cinematograph, Sam Yaek. (1916, November 19). Krungthep Daily Mail. (In Thai)

Lengthy, multi-reel series. (1913, April 13). Krungthep Daily Mail. (In Thai)

Sanuk Sathan Cinema Lang Rong Huay. (1913, April 18). Krungthep Daily Mail. (In Thai)

Thompson, K. (1985). Exporting entertainment: America in the world film market, 1907-1934. British Film Institute.

Uricchio, W. (1996). The First World War and the crisis in Europe. In G. Nowell-Smith (Ed.). The Oxford history of world cinema. (pp. 62-70). Oxford University Press.

Bakker, G. (2008). Entertainment industrialised: The emergence of the international film industry, 1890-1940. Cambridge University Press.

Keiko, S. (2021). Universal goes to Asia: Trans-pacific film distribution in the 1910s. Journal of East Asian Cultural Interaction Studies, 14, 45-62.

Copeland, M. P. (1993). Contested nationalism and the 1932 overthrow of the absolute monarchy in Siam. [Doctoral dissertation, Australian National University, Canberra].

Research Group on Thailand's Printing History. (2006). Siam pimpakarn: History of printing in Thailand. Matichon. (In Thai)

Khun Chim [Pseudonym]. (1922). Questions and answers by Khun Chim. Phaphayon Sayam, 1(14), 19-20. (In Thai)

Khun Chim [Pseudonym]. (1922). Questions and answers by Khun Chim. Phaphayon Sayam, 1(15), 25-28. (In Thai)

Stromgren, R. L. (1988). The Moving Picture World of W. Stephen Bush. Film History, 2(1), 13-22.

Stead, L. (2018). ‘Dear cinema girls’: Girlhood, picture-going, and the interwar film magazine. In C. Clay, M. DiCenzo, B. Green and F. Hackney (Eds.). Women’s periodicals and print culture in Britain, 1918–1939: The interwar period. (pp. 103-117). Edinburgh University Press.

Prince Damrong Rajanubhab. (1928). Introduction. In His Majesty the King's Speech on a Royal Visit to a Chinese School in March 1927, Cremation volume for Siaw Song-uan Si-bunruang, 1928. (a-f). Sophon Pipat Thanakorn. (In Thai)

Barmé, S. (2006). Woman, man, Bangkok: Love, sex, and popular culture in Thailand. Silkworm Books.

Sri Nak [Pseudonym]. (1922). Myna cage. Phaphayon Sayam, 1(46), 35-36. (In Thai)

The Editor. (1922). Myna cage. Phaphayon Sayam, 1(15), 59-60. (In Thai)

Telegram news. (1910, January 23). Chino Siamese Daily News, 1. (In Thai)

Clark, J. (2020). News parade: The American newsreel and the world as spectacle. University of Minnesota Press.

McKernan, L. (2008). Newsreel. In W. Donsbach (Ed.). The international encyclopedia of communication. (pp. 3316-3318). Oxford: Blackwell.

Advertisement: The Phathanakorn Cinematograph. (1925, August 22). The Siam Observer, 2.

Tukta Yot Rak [Pseudonym]. (1922). Movie world. Phaphayon Sayam, 1(21), 4-6. (In Thai)

Kulab Si Namnguen [Pseudonym]. (1923). Don’t you know? Phaphayon Sayam, 2(1), 50. (In Thai)

Silapin [Pseudonym]. (1922). Come travel around the world. Phaphayon Sayam, 1(51), 19-20. (In Thai)

Abel, R., Bertellini, G. and King, R. (Eds.). (2008). Early cinema and the “national”. Indiana University Press.

Kulab Si Namnguen [Pseudonym] & Wang Doem [Pseudonym]. (1923). Movie world. Phaphayon Sayam, 2(13), 4-7. (In Thai)

Tuan Yavaprapas. (1923). Suvarna of Siam is the Siam’s precious gold. Phaphayon Sayam, 2(13), 3. (In Thai)

Plai Ngam [Pseudonym]. (1923). A Conversation with Sa-ngiam Navisthira. Phaphayon Sayam, 2(13), 34-38. (In Thai)

Kaew Kanchana [Pseudonym]. (1923). A Conversation with Khun Rama Bharatasas. Phaphayon Sayam, 2(15), 16-24. (In Thai)

Musser, C. (1999). Nationalism and the beginnings of cinema: The Lumière cinématographe in the US, 1896-1897. Historical Journal of Film, Radio and Television, 19(2), 149-176.

Ruoff, J. (Ed.). (2006). Virtual voyages: Cinema and travel. Duke University Press.

Koszarski, R. (1990). An evening’s entertainment: The age of the silent feature picture, 1915-1928. History of the American cinema series, 3. Charles Scribner’s Sons.

Petro, P. (Ed.). (2010). Idols of modernity: Movie stars of the 1920s. Rutgers University Press.

Hansen, M. (2000). The mass production of the senses: Classical cinema as vernacular modernism. In C. Gledhill and L. Williams (Eds.). Reinventing film studies. (pp. 332-350). Arnold.

Tian-sin [Pseudonym]. (1922). Phaphayon Sayam Palimen. Phaphayon Sayam, 1(26), 18. (In Thai)

Mayo, D. G. (1922). Chatting about my husband, Frank Mayo. Phaphayon Sayam, 1(17), 16-22. (In Thai)

Phaphayon Sayam. (1923). 2(25), front cover.

A Woman [Pseudonym]. (1922). George B. Seitz. Phaphayon Sayam, 1(17), 22. (In Thai)

Hagener, M. (2014). Introduction: The emergence of film culture. In M. Hagener (Ed.). The emergence of film cutlure: Knowledge production, institution building and the fate of the avant-garde in Europe, 1919-1945. (pp. 1-17). Berghahn.

Thongchai Winichakul. (2016). The real face of royal-nationalism: On Thai history. Same Sky Books.