Establish a Participatory Learning Center for Creative Cultural Management of Ceramics in Chenlu Ancient Town

Main Article Content

Feng Xin
Kriangsak Khiaomang
Puvasa Ruangchewin

Abstract

The research is based on the concept of “Chenlu Ancient Town Ceramics”. The purposes of the study is to: (1) study and analyze the ceramics of Chenlu Ancient Town and summarize the characteristics and value of Chenlu Ancient Town ceramic culture, and (2) establish a participatory learning center so as to construct a management project to promote the development of creative culture in Chenlu Ancient Town and develop the unique tourism of Chenlu Ancient Town. The researchers conducted research in Chenlu Ancient Town, Shaanxi Province, China using such methods as literature review, on-site investigations, and interdisciplinary research. By studying the existing ceramic products and processes in the town, we thus summarized the creative cultural connotations of Chenlu Ancient Town ceramics. The results showed that the landscape and ceramic culture of Chenlu Ancient Town had economic benefits and artistic values. By analyzing the characteristics and values of the ceramic cultural landscape of Chenlu Ancient Town, a project management for a participatory learning center was constructed. The project was divided into three central areas, namely the Ceramic Experience Center, the Ceramic Exhibition Center, and the Ceramic Design Center. The aim was to protect and develop the ceramic cultural resources of Chenlu Ancient Town, promote the creative cultural development of Chenlu Ancient Town, and develop its unique tourism features.

Article Details

How to Cite
Xin, F. ., Khiaomang, K. ., & Ruangchewin, P. . (2024). Establish a Participatory Learning Center for Creative Cultural Management of Ceramics in Chenlu Ancient Town. Parichart Journal, 37(1), 206–224. https://doi.org/10.55164/pactj.v37i1.267416
Section
Research Articles

References

Changlin, W. (2004). Viewing Chinese ceramic art from a cultural perspective. Chinese Ceramics, 2004(01), 69-70.

Yunduo, L. (2019). Reconstruction of Chenlu Ancient Town under the background of rural revitalization. Shanxi Architecture, 2019(04), 24-26.

Can, J. (2020). Analysis of cooperation modes between creative tourism and cultural and creative industries. Contemporary Tourism, 2020(33), 24-25.

Gaofeng, L. (2018). Tourism + intellectual property: A new form of cultural and creative tourism. Young Journalists, 2018(30), 110.

Xiaojun, Z. (2018). Analysis on the protection and inheritance of Yaozhou kiln ceramic firing techniques. China National Expo, 2018(11), 1-3.

Jingheng, C, & Zhendong, L. (2015). Modern reconstruction of traditional workshops - research on the protection and revitalization plan of Chenlu Ancient Town Southern Architecture, 2015 (04), 58-62.

Qingfu, Q. (2006). On inheritance and inheritors in the protection of intangible cultural heritage. Northwest Ethnic Studies, 2006(03), 114-123.

Fuhu, Z, Mei Y, & Rong L. (2016). A thousand-year-old ceramics town that never sleeps in the furnace: Research on Chenlu Ancient Town. Residential Science and Technology, 2016(12), 18-26.

Jing, D. (2008). Concentrating on utilization as beauty: Ancient dwellings in Chenlu, Shaanxi. Decoration, 2008(03), 118-119.

Yuan, L & B, L. (2014). Chenlu Ancient Town "pot wall" plastic art and its protection and utilization research. Art Observation, 2014(08), 123-124.

Junxiang, Z. (2003). Constructing a learning resource center from the perspective of knowledge management. Journal of Distance Education, 2003(03), 25-27+36.

Swords, J., & Prescott, R. (2023). Creative industries spatial policy in the United Kingdom, 1995–present. Local Economy, 38(2), 177-186.

Casey B., & Webb M. (2019). Imaging journeys of recovery and learning: A participatory arts-based inquiry. Qualitative Health Research, 29(6):833-845.