BRIDGING ECONOMICS AND ETHICS: A STRATEGIC FRAMEWORK FOR CULTURAL ENTREPRENEURSHIP AND MORAL COMMUNITY SUSTAINABILITY IN THAILAND
DOI:
https://doi.org/10.14456/aisr.2025.48Keywords:
Cultural Entrepreneurship, Cultural Product Development Strategies, Moral Community Sustainability, Creative Economy, Dynamic CapabilitiesAbstract
Amidst global digital transformation, Thailand’s cultural sector faces the dual challenge of achieving economic viability while preserving local values. This study proposes an integrated strategic framework for cultural product development that harmonizes business performance with the sustainability of the moral community. Grounded in the Resource-Based View, Dynamic Capabilities Theory, and Stakeholder Theory, the research employs a Systematic Literature Review (SLR) following PRISMA 2020 guidelines to synthesize evidence from 67 scholarly works published between 2019 and 2025. The analysis identifies three critical antecedents—perceived government policy, cultural capital management, and creative-economy orientation—that collectively drive Cultural Product Development Strategies (CPDS). These strategies function as vital mediating mechanisms, translating institutional and resource-based factors into marketing success, business performance, and, crucially, the sustainability of moral communities. The proposed framework fills a significant theoretical gap by elucidating how cultural entrepreneurship can transcend purely economic metrics to foster ethical cohesion and social resilience. These findings offer actionable strategic implications for policymakers and entrepreneurs aiming to strengthen Thailand’s creative economy and soft-power capacity within a sustainable, virtue-based community context.
Downloads
References
Barney, J. (1991). Firm resources and sustained competitive advantage. Journal of Management, 17(1), 99-120.
Bogers, M., Chesbrough, H., & Moedas, C. (2018). Open innovation: Research, practices, and policies. California Management Review, 60(2), 5-16.
Comunian, R., & England, L. (2020). Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy. Cultural Trends, 29(2), 112-128.
Creative Economy Agency (Public Organization). (2023). Annual Report 2023. Retrieved from www.cea.or.th/storage/app/media/ITA2567/o9_CEA_Annual_Report_2023_TH.pdf.
Ericsson, B., Hauge, A., & Alnes, P. (2024). Cultural and creative industries: Innovation, performance and spillovers. Norsk Geografisk Tidsskrift-Norwegian Journal of Geography, 78(4), 222-233.
Freeman, R. (1984). Strategic Management: A Stakeholder Approach. Massachusetts: Pitman.
Ganzin, M., Chirico, F., Kroezen, J., Dacin, M., Sirmon, D., & Suddaby, R. (2024). Craft and strategic entrepreneurship: Exploring and exploiting materiality, authenticity, and tradition in craft-based ventures. Strategic Entrepreneurship Journal, 18(4), 671-685.
Imperiale, F., Fasiello, R., & Adamo, S. (2021). Sustainability determinants of cultural and creative industries in peripheral areas. Journal of Risk and Financial Management, 14(9), 438.
Khlystova, O., & Kalyuzhnova, Y. (2023). The impact of the creative industries and digitalization on regional resilience and productive entrepreneurship. The Journal of Technology Transfer, 48, 1654-1695.
Laradi, S., Elfekair, A., Alrawad, M., Hashim, M., & Derouez, F. (2024). Leveraging capabilities of social media marketing for business success. Computers in Human Behavior Reports, 16, 100524.
Li, J., Liu, D., Chung, H., & Fan, Q. (2025). Cultural heritage branding in a deglobalized world: global brand resonance through local cultural events. International Marketing Review, https://doi.org/10.1108/IMR-12-2024-0535.
Ministry of Culture. (2022). Final research report: Project on the study of Thai cultural product consumer demand. Retrieved from https://ccdg.m-culture.go.th/web-upload/1025xf4cb9b62e06bbeb6ca71b7f542163179/m_document/2899/2284/file_download/73c244af81b1eabb37a8afd3fc35199b.pdf.
Office of the National Economic and Social Development Council. (2018). National strategy 2018-2037. Retrieved from https://faolex.fao.org/docs/pdf/tha200834.pdf.
Ortiz-Ospino, L., González-Sarmiento, E., & Roa-Perez, J. (2025). Technology trends in the creative and cultural industries sector: a systematic literature review. Journal of Innovation and Entrepreneurship, 14, 39.
Pine, B., & Gilmore, J. (2019). The Experience Economy: Competing for Customer Time, Attention, and Money. Massachusetts: Harvard Business Review Press.
Rodríguez-Insuasti, H., Montalván-Burbano, N., Suárez-Rodríguez, O., Yonfá-Medranda, M., & Parrales-Guerrero, K. (2022). Creative economy: A worldwide research in business, management and accounting. Sustainability, 14(23), 16010.
Rondi, E., Magrelli, V., Debellis, F., & de Massis, A. (2024). The evolution of craft work in the strategic development of a family enterprise. Strategic Entrepreneurship Journal, 18(4), 811-840.
Shakya, M., & Vagnarelli, G. (2024). Creating value from intangible cultural heritage—The role of innovation for sustainable tourism and regional rural development. European Journal of Cultural Management and Policy, 14, 12057.
Teece, D. (2018). Dynamic capabilities as (workable) management systems theory. Journal of Management & Organization, 24(3), 359-368.
Teece, D., Pisano, G., & Shuen, A. (1997). Dynamic Capabilities and Strategic Management. Strategic Management Journal, 18(7), 509-533.
The Organisation for Economic Co-operation and Development. (2022). The Culture Fix: Creative People, Places and Industries. Retrieved from www.oecd.org/content/dam/oecd/en/publications/reports/2022/06/the-culture-fix_fda3a600/991bb520-en.pdf.
Tran, T. (2024). Cultural Policy on the Move: between the Paradigmatic and the Pragmatic. International Journal of Cultural Policy, 30(5), 567-582.
United Nations Conference on Trade and Development. (2021). Digital Economy Report 2021, Cross-border data flows and development: For whom the data flow. Retrieved from https://unctad.org/system/files/official-document/der2021_en.pdf.
United Nations Educational, Scientific and Cultural Organization. (2022). Re|Shaping policies for creativity: Addressing culture as a global public good. Retrieved from https://unesdoc.unesco.org/ark:/48223/pf0000380474.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Siriwan PANUSNACHEE, Chanyaphak LALAENG

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.







