The Integration of sculpture creation with exhibition design to convey the meaning of Confucian philosophy

Main Article Content

Li Miaomiao
Suriya Chayacharoen
Suchat Thaothong

Abstract

This article aims to analyze the integration of sculpture creativity with exhibition design to convey the meaning of Confucian philosophy. It is a conceptual review of sculpture creation, exhibition design, meaning, and the essence of Confucian philosophy. With qualitative research methodologies and analysis, a new exhibition in the art gallery space was designed. As a result, the fusion of sculpture creation with exhibition design was discovered to transmit the significance of Confucian philosophy. This results in an exhibition format with academic management principles by showing sculptures built from Confucian philosophy concepts, with the appearance of a young Confucius in a graceful standing position and leading sculptures. To be displayed in an art gallery. There are six pieces of supporting media created for the exhibition: (1) brochures to publicize the exhibition information, (2) art catalog, (3) video media, (4) exhibition information boards, (5) descriptions of exhibited artifacts, and (6) a map to stroll around the art gallery. The exhibition is organized in a methodical manner, and virtual simulations are developed that can be used as workshops for exhibition design, leading to actual execution.

Article Details

How to Cite
Miaomiao, L. ., Chayacharoen, S. ., & Thaothong, S. . (2023). The Integration of sculpture creation with exhibition design to convey the meaning of Confucian philosophy. SIAM COMMUNICATION REVIEW, 22(2), 144–153. Retrieved from https://so05.tci-thaijo.org/index.php/commartsreviewsiamu/article/view/269333
Section
Research Articles

References

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