Voice Training for Actors According to Kristin Linklater’s Voice Technique for Application in Performance : a Case St Solo Performance of the Human Voice Play
Main Article Content
Abstract
This research examines the application of Kristin Linklater’s natural voice technique to enhance a solo performance in the play The Human Voice. The researcher initially encountered difficulties in conveying the character's inner truth through vocal expression, which affected the emotional depth of the performance and limited audience engagement. The researcher interested in studying this technique, which helps actors discover a free and natural use of their voice. This leads to more subtle, profound, and sincere communication of the character’s inner truth. The researcher applied this technique during vocal exercises to develop and prepare the voice before rehearsals and performances, including script rehearsals and preparations prior to the actual performance.
The researcher found that after practicing voice using Kristin Linklater’s Freeing The Natural Voice technique, the researcher was able to effectively overcome the obstacles that hindered the connection between the voice and the character’s inner emotions. The researcher was able to convey the character’s inner truth more deeply and sincerely. Additionally, the researcher discovered that this technique also developed other acting skills, such as body movement, imagination, and sensory awareness, which contributed to overall acting improvement. Data collection and analysis were conducted through a combination of theoretical research, documentation and video recordings of rehearsals, audience questionnaires, and seminars with voice experts.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
ขวัญนุช สุวรรณรัชตมณี. (2560). การใช้เทคนิคละครใบ้เพื่อการสร้างและสลับเปลี่ยนตัวละครในการแสดงเดี่ยวละครเวที. เรื่อง “The search for signs of intelligent life in the universe”. ปริญญามหาบัณฑิต สารนิพนธ์, จุฬาลงกรณ์มหาวิทยาลัย.
จารุณี หงส์จารุ. (2561). การฝึกเสียงพูดในการแสดงและชีวิตประจำวัน. กรุงเทพฯ: ประชุมทอง พริ้นติ้ง.
พรรัตน์ ดำรุง. (2560). การปฎิบัติงานและคุณค่าของ “วิจัยการแสดง” สำหรับนักวิชาการด้านการละคร/การแสดงในมหาวิทยาลัย. วารสารดนตรีและการแสดง. 3(2). 8-24.
Adler,Stella. (2000). The Art Of Acting. Maryland: Applause Books.
Houseman,Babara. (2002). Finding Your Voice. London: Nick Hern.
Linklater,Kristin. (1976). Freeing The Natural Voice. New York: Drama Book.
Looser,Diana,M.F. (2005). “Freeing The Natural Voice?: Performance, Gender, Society”, (Master’s Thesis). University of Canterbury, Canterbury.
Morris,Eric. (2011). Freeing The Actor. Los Angeles: Ermor Enterprises.