Developing the Skill of Using Imagination, Focus and body for a Solo Performance Actor: a Cace Study of “INSOMNIA”

Abstract

This research aims to use tools actors with essential skills in imagination, concentration, and physical engagement to enhance the realism and credibility of each character portrayed. The focus is on the solo performance "Insomnia" by Nikorn Saetang, where the actor must embody multiple characters and scenarios, and also engage directly with the audience. This study employs acting training processes and integrates concepts from key theatrical theorists: Constantin Stanislavski, Stella Adler, and Michael Chekhov. The research hypothesis posits that systematic acting training can significantly aid actors in realistically and credibly portraying various characters in different situations. The methodology includes analyzing the impact of these training exercises through video recordings and rehearsals with a director, evaluations by academic advisors, feedback collection from audience surveys, and discussions with experts post-performance. The findings suggest that consistent and focused practice enhances the actor's belief in their character's situation, reduces anxiety, and increases the freedom to embody the character during performances.