Mask Techniques and Bodily Eloquence for Actors’ physical Development in Farce – A Case Study of Bernard’s Role in Marc Camoletti’s Boeing-Boeing -

Abstract

This research examines adaptations of mask techniques for acting—neutral mask, character mask, and Commedia dell’Arte—to enhance actors' physical skills and cultivate the physicality of farce within a case study of Bernard in Marc Camoletti's Boeing-Boeing, Through his complex romantic relationships, upon the failure of his plan to manage his three fiancée stewardesses, he transforms quickly from a perceived state of calm to a chaotic situation, which has a severe physical effect. According to Jacques Lecoq’s mask training techniques, the actor should be trained primarily in neutral masks, developing the ability to observe their own behavior, then progressively in character masks, developing their ability to analyze a role’s dynamics, then continuously in specific Commedia dell’Arte character masks, focusing on Zanni, Il Capitano, and Arlecchino (Harlequin). Through the mask exercise training, the researcher, as an actor, has observed improved bodily control for performance, including increased flexibility, agility in posture control, and fluidity of movement. As a result, the portrayal of Bernard in the comedic performance showed enhanced comedic timing and more effective humour.