Applying Michael Chekhov's Techniques for Improving Actor's Ability to Embody a Character: A Case Study of Character Lomov in Anton Chekhov's The Proposal

Abstract

This research aims to study the application of Michael Chekhov's acting theory in developing skills in character belief and concentration through the rehearsal process for the character "Lomov" from "The Proposal," a farce with complexity in both emotional expression and performance rhythm. Chekhov's techniques helped the actor access the character's inner state more deeply and strengthen concentration during performance, resulting in fuller expression of emotions and character energy.

During rehearsals, the researcher faced challenges regarding physical energy use that affected emotional expression and character intensity. This led to adjustments in the rehearsal process, emphasizing energy balance and responsiveness among the cast. These training modifications resulted in clear development in both the actor's confidence and expression.

Although on the actual performance day, limitations arose from an earthquake, allowing only one performance and incomplete audience data collection, evaluations from the researcher's self-reflection, along with feedback from the director and experts, confirmed that Michael Chekhov's techniques remain effective tools for systematically developing acting skills, particularly in creating and maintaining complex characters with diverse emotional states.