Miao Batik: Pattern Elements and Symbolic Representation in Qiandongnan, Guizhou Province, China

ผู้แต่ง

  • Xuexue Guo Master Degree student, Faculty of Fine and Applied Arts, Khon Kaen University
  • Boonjan Phetmueangloei Faculty of Fine and Applied Arts, Khon Kaen University
  • Keran Wang Faculty of Fine and Applied Arts, Khon Kaen University

คำสำคัญ:

Miao Batik, Inheritance, Pattern Elements, Symbolic Representation, Semiotics, Diffusion of Innovations

บทคัดย่อ

              Research investigates the inheritance, pattern elements, and symbolic representation of Miao batik in Qiandongnan, Guizhou Province, focusing on Danzhai County in the Qiandongnan Miao and Dong Autonomous Prefecture as the primary research area.
               The research employs a qualitative methodology integrating field observation, semi-structured interviews, and a questionnaire survey with local artisans, cultural experts, and young practitioners to collect data on batik transmission and symbolism.
               The results show that Miao batik patterns can be categorized into four categories: animal, plant, geometric, and everyday patterns. Each category embodies symbolic meaning rooted in historical memory, belief systems, and auspicious culture. Drawing on Saussure's semiotic theory and Rogers's diffusion of innovation framework, this study illustrates how batik patterns convey cultural identity and reflect modern adaptation challenges, such as generational gaps, market constraints, and policy support.

เอกสารอ้างอิง

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เผยแพร่แล้ว

2026-06-27

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