An Analysis of Theatrical Design Researches in Thailand over the past 20 years (from 2001 – 2020)

Abstract

This research collected and analyzed theatrical design research data in Thailand (from 2001 to 2020) to formulate guidelines for designing theatrical performances in Thailand. Survey research was done by documentary analysis with data analysis explained descriptively. Data was drawn from research and theses related to performing arts design with 10 theatrical design studies and 30 secondary cohorts focused on other performing arts such as visual element design in film and dance. Included was theatrical research not focusing solely on design but also providing explanations related to the design process. Results were that the ratio between design research for theatrical performance (research design for dramatic art) : design research for dance : design research for performance through media was 10 : 10 : 9, respectively. 29 research works on design for performing arts comprised 16 items of research by university lecturers, 12 theses and 1 from other departments.   Of 10 theatrical design studies, 3 research items were in theatrical costumes, 5 in theatrical scene design research, and 1 each in theatrical art direction and use of space and multimedia. Researchers were 5 theatrical design professors, 1 master's degree student and 1 co-professional undergraduate. 8 items of the creative research process were used, with the remaining 2 theses discussing phenomena and building knowledge, respectively. Theories of drama, aesthetics, design, and semiotics were used. The creative design concepts most used consisted of Surrealism, Expressionism, and Symbolism.