Minimalist Character Design Inspired by Traditional Thai Mural Paintings: The Thotsachart Allegorical Narrative at Wat Suwannaram Ratchaworawihan

Abstract

          This research and development (R&D) project investigated: 1. The corporeal symbols depicted in the Vessantara Jataka mural paintings at Wat Suwannaram Ratchaworawihan;  2. The relationship between these symbolic language codes and their meanings; and 3. The design of minimalist digital paintings featuring three-dimensional (3D) protagonists.

          Mural imagery data were analyzed, and minimalist figures were designed and developed, including Phra Vessantara, Nang Matree, Jali, Kanha, and Chuchok. The development process encompassed five steps: 1. Establishing understanding;  2. Defining the problem; 3. Formulating concepts; 4. Developing prototypes; and 5. Conducting testing. The study involved 12 target groups and three experts.

          Results: 1. Corporeal symbols were categorized into two groups: (1) godlike beings and (2) common folk, symbolized by crows. 2. The relationship between corporeal symbols and symbolic codes indicated: (1) character values; (2) meaningfulness; and (3) individual position and orientation. 3. The minimalist character designs in digital painting and 3D were inspired by design concepts, personages, and minimalism, and were evaluated by the target groups and experts.  Requirements: Characters in traditional Thai painting adhere to specific rules, grammar, structural requirements, and are defined as types rather than individuals. Simplifying symbolic language maintains the core concepts of personas. Minimalist character design holds potential for further development within the creative economy.