COMMUNITY IDENTITY AND CREATIVE DANCE PERFORMANCE: “RABAM PHAN PHRUET SA SISANGA YAN TA KHAO”

Abstract

      The creative dance performance Rabam Phan Phruet Sa Sisanga Yan Ta Khao was developed to examine the cultural identity of the Yan Ta Khao community in Trang Province and translate these findings into an innovative choreographic work. This study employed qualitative research methods, using purposive sampling to select representatives of local folk artists in Yan Ta Khao District. Data were collected through in-depth interviews and focus group discussions, and subsequently analyzed using content analysis. The findings indicate that Yan Ta Khao District is home to several traditional performing arts groups, including Likae Pa (Thai musical folk drama), Nora (Southern Thai dance drama), Nang Talung (shadow play), and Rong Ngeng (Thai Dance Performance). These art forms hold long-standing cultural significance in Southern Thailand. Additionally, the community is home to a unique local flower found exclusively in this area-small white blossoms arranged in long clusters with green vine-like stems, blooming profusely during the summer month of April. Villagers refer to this species as “Dok Yan Ta Khao,” named after its place of origin. Inspired by this distinctive community identity, the choreographer developed a new performance that integrates structural and stylistic elements from the region’s traditional performing arts-Likae Pa (Thai musical folk drama), Nora (Southern Thai dance drama) , Nang Talung (shadow play), and Rong Ngeng (Thai Dance Performance). These were adapted to form the foundational movement vocabulary, vocal motifs, costuming, and accessories depicting the story of the Dok Yan Ta Khao flower as a cultural emblem of the community. The creative work aims to promote and disseminate the unique cultural identity of Yan Ta Khao, enhance public recognition, and foster local tourism, while cultivating community pride in this singular symbol.