Conducting Technique of Conductor in Wind Band
Article Sidebar
Main Article Content
Abstract
The objective of this research was to study the conducting technique of conductor in wind band. It is qualitative research by researching, analyzing, synthesizing information from documents. Field data and select key informants using the purposive sampling method, including 4 conductors, data were collected through individual interviews. The research tool used was an in-depth interview form. The obtained data was then analyzed and synthesized to find conducting technique of conductor in wind band. The results of the study found that conductors should have knowledge of conducting. It consists of important parts: posture techniques, rehearsal techniques and acting techniques. There is also standing posture and body movement. The role and duties of the conductor as well as techniques for conducting using the baton stick. Including leadership must be able to instill confidence in musicians.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความที่ได้รับการตีพิมพ์เป็นลิขสิทธิ์ของวารสาร สักทอง : วารสารมนุษยศาสตร์และสังคมศาสตร์ สถาบันวิจัยและพัฒนา มหาวิทยาลับราชภัฏกำแพงเพชร
ข้อคิดเห็นใดๆ ที่ปรากฎในวารสารเป็นวรรณกรรมของผู้เขียนโดยเฉพาะ ซึ่งมหาวิทยาลัยราชภัฏกำแพงเพชรและบรรณาธิการไม่จำเป็นต้องเห็นด้วย
References
Anantanavee, P. (2008). Principles concepts, theories in educational administration. Chonburi: Montri Publishing House. [In Thai]
Brandao, J. V. (2011). Learning and teaching conducting through musical and non-musical skills : An evaluation of orchestral conducting teaching methods. Doctoral Dissertations in The School of Music Louisiana State University United States of America.
Duangbung, D. (2018). Conducting Teaching materials for course 2003 404 Conducting (Conducting). Mahasarakham: College of Music, Mahasarakham University. [In Thai]
Junsomdee, R. (2008). Conductor's Leadership and Communication Management for School Military Band in Bangkok Area. Master's Thesis Program in Speech Communication Chulalongkorn University. [In Thai]
Kanchanahud, N. (2016). Basics Conducting Documents for community leaders' seminar on music for sustainable development. Bangkok: Faculty of Music, Silpakorn University. [In Thai]
Leamthong, A. (2012, January-June). Principle of Effective Practicing Strategy for Instrumentalists. Rangsit Music Journal, 7(1), 29-39. [In Thai]
Panyawatwong, S. (2018). An Approach to Perform Gloriosa Symphonic Poem for Band by Yasuhide Ito. Master's Thesis Program in Music Research and Development Silpakorn University. [In Thai]
Sasomsin, S. (2021, January-June). Basic Knowledge for Music Conducting. Bansomdej Music Journal, 3(1), 63-72. [In Thai]
Sukhaket, A. (1990). Conducting Technique Documents for the workshop on Mouthpiece and mouthpiece, clarinet and saxophone, and the art of orchestral conduction. Nakhon Pathom: Language and Culture Research Institute for Rural Development, Mahidol University. [In Thai]
Visedsiri, W. (2022). Creating Thai Identity of the Thai Displaced People, Ban Singkhon, Tanintharyi Territory of the Republic of the Union of Myanmar. Doctoral Dissertation in Southeast Asian Studies Naresuan University. [In Thai]
