A Study of the use of Krab-phuang in Telling Stories and Composing Chants and Epics in Contemporary Drama: Case Study of Stage Plays, Kha...Thao Srisudachan Mai Pid

Abstract

This research aims to explore the creative application of the Krab-phuang (clustered wooden clappers) in contemporary Thai theatrical performance, particularly in the stage play ‘Kha... Thao Srisudachan Mai Phit’ (I... Thao Srisudachan Was Not Wrong). The study investigates how Krab-phuang can serve both as a rhythmic instrument and as a dramatic tool to enhance narrative delivery. Through literary adaptation and musical composition, the researcher incorporates Krab-phuang into poetic forms such as raai (Thai prose-poetry) and kap he ruea (traditional Thai boat song), as well as adapts it to the rhythm of the Western-influenced Thai song ‘Yosalam’. Interviews were conducted with two key informants: National Artist Suprawat Patamasoot and playwright Tharnwadee Satityutthakarn. Their insights affirm that Krab-phuang, when creatively integrated, can replace traditional musical ensembles and act as a storytelling medium. The findings show that the use of Krab-phuang allows for emotional modulation and rhythmic structuring across scenes, especially in conveying historical reinterpretation and provoking critical reflection on past narratives. This research contributes to the field of contemporary Thai performance by demonstrating how traditional instruments can be recontextualized to reflect modern themes and provoke thought on historical judgment.