The Development of the Performing Art of Zhejiang Zheng Faction in the 1993 - 2023
Keywords:
Gu Zheng faction, Zhejiang Zheng faction, Playing Style.Abstract
This paper studies the development of Zhejiang Zheng faction playing art in the1993-2023, aiming to provide certain theoretical reference and value for the Gu Zheng playing art. This paper contains five chapters, mainly from the five parts of the development of Zhejiang Zheng faction playing art in the1993-2023:
Part Ⅰ, Introduction, Mainly from the concept of the definition, conceptual framework, ask questions and other perspectives to comb; Part II, Literature Review, Mainly from the creation of Gu Zheng, the historical evolution of Zhejiang Zheng faction, playing style, representative figures, representative repertoire, and communication and development perspectives, The current domestic and foreign literature for the development of Zhejiang Zheng faction playing art is summarized in all aspects; Part III, Research Methods, Mainly starting from the research methods, Using qualitative and quantitative mixed research methods; Part IV, Research Findings and Discussion, Mainly make certain data analysis to the questionnaire and the interview records, Draw the data conclusion, To support the first part of the research hypothesis; Part V, Research Conclusion, Make a holistic summary of the above article, And put forward the future development ways and prospects. To sum up, the study of the development track of Zhejiang Zheng faction playing art is of irreplaceable significance for the study of Gu Zheng art factions, the development of Chinese Gu Zheng art, as well as the formation of modern Zheng art and the creation law of modern Zheng music. The development of Zhejiang Zheng faction and the actions of Zhejiang Zheng family in the field of Gu Zheng provide a feasible demonstration for the educational inheritance and innovation of performing arts, and provide favorable Chinese experience to domestic counterparts and even the world.
References
Cao,M.(2015).Shandong Zheng and Zhejiang Zheng Music Scale and Melody Rhythm.Music Time and Space ,(01):28-30
Chen,L.(2007).On the Performance Characteristics of Zhejiang Zheng School from Musical instrument. 32-34
Chen,C.S.(2020).The Evolution of Zhejiang Zheng School in 1960s.Song sea.58-61
Ding,C.Y.(1986).Zheng history hook Shen.Anthology of Chinese Gu Zheng Academic Exchange Association.114-115
Huang,Y.Z.,Wang,C.&Guo,S.H.(2006).Guided by Traditional Chinese Music. Shanghai Conservatory of Music Press.78-79
Han,J.Y.&Zhang,W.J.(2007).Documentary of Wang Changyuan Zheng Friends Meeting.Musical instrument.33-35
Han,J.Y.(2013).On the Contribution of Zhejiang School Zheng Family to the Development of Chinese Gu Zheng Art (Part I).Musical instrument.56-59
Han,J.Y.(2013).On the Contribution of Zhejiang School Zheng Family to the Development of Chinese Gu Zheng Art (Part ii).Musical instrument.50-53
Long,X.Y.(2015).Comparative study of Shandong Zheng School and Zhejiang Zheng School——Take "Gao Shan Liu Shui" as an example.University Of Anhui.23-25
Zhang, W. J. (2013). Research of Teacher-student Relationship Based on the creativity Development of Students. Master’s Thesis, Shandong Normal University.
https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD201302&filename=1013217037.nh
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Pacific Institute of Management Science

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความที่ได้รับการตีพิมพ์เป็นลิขสิทธิ์ของ สถาบันวิทยาการจัดการแห่งแปซิฟิค
ข้อความที่ปรากฏในบทความแต่ละเรื่องในวารสารวิชาการเล่มนี้เป็นความคิดเห็นส่วนตัวของผู้เขียนแต่ละท่านไม่เกี่ยวข้องกับสถาบันวิทยาการจัดการแห่งแปซิฟิค และคณาจารย์ท่านอื่นๆในสถาบันฯ แต่อย่างใด ความรับผิดชอบองค์ประกอบทั้งหมดของบทความแต่ละเรื่องเป็นของผู้เขียนแต่ละท่าน หากมีความผิดพลาดใดๆ ผู้เขียนแต่ละท่านจะรับผิดชอบบทความของตนเองแต่ผู้เดียว
