The Adaptation of Narrative Point of View of TV Series “The Story of Minglan”

Abstract

Online novels, one of the most popular forms of literature in China, have become an important source for television drama adaptations. With the rise of historical costume dramas and stricter broadcast regulations, The Story of Minglan provides a significant case for analysis. This study examines the adaptation of narrative point of view from the novel to the television series, drawing on narrative theory and adaptation studies. The findings show three main forms of adaptation. First, Modification occurs due to differences between print and screen media, leading to changes in the narrator's standpoint and style of presentation. Second, the most evident adaptation is Reduction, seen in the removal of Yao Yiyi's perspective. In the novel, Yao is a modern character who travels back to the past, but all elements of time travel were omitted to comply with the broadcasting policies of China's National Radio and Television Administration. Third, the adaptation demonstrates Convention, retaining the story's central focus on the social status of women in traditional Chinese society. The series presents the narrative primarily through female perspectives, with Sheng Minglan at the centre. These changes in point of view also influenced other narrative elements in interrelated ways.