Lam Competition Process in Accordance with the Scholarly Ways of Senior Molam Artists in Laos People Democratic Republic

Main Article Content

Suteerapong Pinitpol
Khomgrit Karin

Abstract

This research was a qualitative research which aimed at: examining the lam competition process in the
scholarly ways of senor molamartistsin Lao People Democratic Republic The researcher had gathered both
written document and field data. In collecting field data the researcher had collected data through interviews
and observations from 10 key-informants, 12 casual informants, and 10 general informants in Lao People
Democratic Republic during February 2015 and March 2018. The data were verified for their accuracy with
triangulation techniques, classified, and analyzed in accordance with the given objectives, The results of the
study were presented in a descriptive analysis form.
On the lam competition process in scholarly ways of senior molam artists, there were three steps:
1) Before Lam Competition, each molam singer had to prepare information ready for the competition; 2)
During Onstage lam Competition. Each molam had to listen to his/her counterpart attentively, and remember
its contents; 3) After Onstage Lam Competition. After finishing each lam competition, each molam singer
had to evaluate their weak points which they failed to response correctly and properly inquiring more
knowledge for the next lam competitions. Each molam singer would search for more knowledge on these matters,
preparing themselves for next lam competitions.

Article Details

How to Cite
Pinitpol, S., & Karin, K. (2019). Lam Competition Process in Accordance with the Scholarly Ways of Senior Molam Artists in Laos People Democratic Republic. Rajabhat Maha Sarakham University Journal, 13(1), 69–76. retrieved from https://so05.tci-thaijo.org/index.php/rmuj/article/view/249718
Section
Research Articles

References

Compton, Carol J. (1979). Lao poetics : internal rhyme in the text of a Lam Sithandone Perform.Texas : The University of Texas at Dallas

Thongkham Onmaneesorn. (1998). Heritage of Lam Si Phan Don-L. Vienthien : Toyota Foundation of Japan.

Jaruwan Thammwat. (1987). Folklore.MahaSarakham : Srinakharinwirot University,Mahasarakham.

Bunthong Keawbuala : Anserer, Sutheeraphong Phinitphon : interviewer at Mor Lam Office of Dokfarphectphonthong, Ban Kunyeang, Phonthong district, Jumpasak, Laos PDR : 15 April 2018

Duangpheang Harnmanee ; Answerer,Sutheeraphong Phinitphon : interviewer at Ban Thahin, Pakse city, Jumpasak, Laos PDR : 15 April 2017

Inteang Keawbuala; Anserer, Sutheeraphong Phinitphon : interviewer at Mor Lam Office of Dokfarphectphonthong, Ban Kunyeang, Phonthong district, Jumpasak, Laos PDR : 15 April 2018

Wanna Keawphilom ;Anserer, Sutheeraphong Phinitphon : interviewer at No. 13 Ban Phonsawan,Pakse city, Jumpasak, Laos PDR : 14 February 2017

Chyu, Yawen Eunice. (2004). Teaching Improvisation to Piano Students of Elementary to Intermediate Levels. Doctor’s Thesis,Columbus : Ohio State University.

Leep, Jeanne. (2004). Improvisation as Performance: A Comparative Study of Short Form, Long Form and Sketch - Based Improvisation. Doctor’s Thesis,Michgan : Wayne State University.

Ratree Sriwilai. (2016). Clutter of Lam Si PhanDon : Stabbing Art with Esprit. Philosophy of Doctor Thesis : Mahasarakrm university.

Yothin Phonlakhet. (2014). Guidelines For The Development Of Instruction Process On Khaen Accompaniment For Lam Performances In Laos Pdr. Philosophy of Doctor Thesis : Mahasarakrm university.