The Development of Vode Siangthong Band

Abstract

The purpose of this research is to study (1) the development of Vode Siangthong band and (2) the persistence and transformation of Vode Siangthong band. The subjects used in this study were the data from articles and field study by survey, observe, and interview two professors and 12 Vode Siangthong musicians. The research instrument in this study was a structured interview, and analyzed by use qualitative research methodology.

The findings revealed that 1) the development of Vode Siangthong band: it is divided into four eras: (1) The early age (1968-1972): The musicians had four musical instruments, sat in semi-circle and played music in free style. (2) The development age (1973-1977): They had more music songs such as Lai Perdvong, Lai Serngbungfai, and Lai Tungwai. (3) The golden age (1978-1982): They had more musical instruments such as electric bass guitar, electric harp, four drums and more music songs such as Lai Phuthaikalasin, Lai Phuthaisakonnakorn, and Lai Phuthairenu. (4) The present age (1983-present): The band leader became a guest instructor at Roi-Et College of Dramatic Arts 2) The persistence and transformation of Vode Siangthong band: The musicians brought Western musical instruments for playing and used cassette tapes for recording to present to the foreigners. For playing musical instruments, they used Khaen in the early age. In the development age, they played Thai country music and Morlum songs. In the golden age, they had more musicians and played music methodically. At the present age, they play music in modern and academic style. The objectives of playing music are to conserve and inherit Isan Folk Music.